From images toexpressive 3D characters.
A Greenhouse series about turning a character’s appearance into structure, controls and behaviour. Start with the Giant Aperture mascot, then explore reconstruction, part labels, fitted features, expressions, gaze and breathing.
A convincing picture is only the beginning. Its reconstructed mesh may have an eye painted onto the surface, an ear joined to the head and a mouth that cannot open. Making it expressive means turning those features into structure that can move.
The jelly begins with a generator that already knows its surface. Reconstructed characters need another route to that understanding. Both make the same demand of the tools: automate the mechanical work while keeping useful art direction visible and reversible.
These articles describe the methods and their limits. Captions distinguish concept art, research diagnostics and browser studies. No character scene loads automatically.